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Introducing a new segment… Being Brave Abroad

Springing forward sucks. Daylight savings sucks. This is known.

Unless it falls within the realm of His Majesty King Johnny Chaz I. Everybody’s favorite vestige of Spanish Fascism is the selective (un)recognition of longitude lines. As it isn’t a slab of poured concrete, this time zone shared with Berlin doesn’t comply with La Ley de Memoria Histórica (post-Franco law condemning the regime and it’s remaining artifacts); then again, plenty of facha granite stands to this day. What a great and noble land of incongruence in judicial interpretation. By golly, it feels like home.

What do you expect, you know, when Greenwich (that Mean-est of Times) isn’t even pronounced “green” + “which”.

It’s closer to a “grin + itch”.

Contemplating Edward Gorey’s drawing, “Being Brave Abroad,” an itch and a grin prompted a split-minute decision (i tried talking myself out of it, like usual) and got me out the door. An extra hour of daylight.

Bilbao is hiding up here too.

Bilbao is hiding up here too.

Destination: Peñascal (Spanish for ‘rocky crag’ while the Basque name Iturrigori means ‘red spring’)

Method: Getting on the number seventy-something and taking it to the very end.

My bus driver has got to be a nice guy. Yeah, he’s got the look: chases chonis (affectionate name for Jersey Shore-esque ladies, but in Euskadi we spell that txoni, aight?), lifts weights and tans in a box, probably maybe all accomplished on the same city block. But he’s definitely got the look of being a nice guy.

Start: Mina del Morro, the Santutxu brink that could fall into the river, if it weren’t for the deep roots of the eucalyptus grove (any unbroken stand of trees in an urban setting is AKA feral cat piss depository, and I can’t get it out of my tennis shoes).

End: Peñascal.

Two ends of the tract, save the best for last, good hoods of a working class.

Three generations of women at the park sit facing the monkey bars and my attention goes to my ankles exposed and I’m fine.
Because, girl power.

PenascalParque

In the thin valley sliced by centuries of rain, the Peñascal sidewalk presses against a high wall, where the terracing starts staking claim up the hill. A break in the solid concrete there’s a black chihuahua doglet.

I couldn’t tell if he was puppy. Passed him, backed up (and in that simple decision and follow-through, interestingly enough, made me feel less like an outsider and more like a documenter, someone with the right and reason to be in that neighborhood… my bravery in confronting this mighty tiny thing suggests that if I start with the dogs and their jean jackets and bejeweled raincoats, surely I can end up taking shots of bipeds), and readied my camera to peek.

His screech-howl confirmed he was not a baby dog.

NotPuppy

No ma’am. This cartoonishly steep staircase is mine. Go. Now.

No ma’am. This cartoonishly steep staircase is mine. Go. Now.

In this neighborhood I expected to find gitanos and the usual marginalized state of affairs. I think to myself about how I do so enjoy the stuck-on buildings of sharp gradients, as if they were slums and slums being the first word that came to mind and my privilege won’t stop reminding me that it’s very much alive and well. The real problem with that thought is that I am not seeing what I’m in; instead, I’m imagining an elsewhere, a cloudy fold-out spread from National Geographic, vaguely São Paulo. I’ve never seen either of these places before and prejudice is boring.

Worn out debate interrupted by a valid contribution…

Statement: We are Bilbao too.  Source: these mailboxes.

Statement: We are Bilbao too.
Source: these mailboxes.

At the foot of the way to Pagasarri.

less gunk on the ground than my own damn street which is in the left hemisphere subdivision of my brain. being brave abroad turns out just fine. white girl in broad daylight, white saint of broad brush strokes.

less gunk on the ground
than my own damn street
which is in the left hemisphere
subdivision of my brain.
being brave abroad turns out just fine.
white girl in broad daylight,
white saint in broad brush strokes.

Waiting for the bus again at the Plaza de Errekaldi there’s a man, middle-aged and blond, with rectangular and rounded-edge light orange lenses. On the ground facing up, his longboard’s belly graphic is impeccable and recently bought, a milky turquoise and electric lavender galaxy. My best guess is that guy walked out of a cave where his flux capacitor-powered DeLorean had just landed.

Then, in the span of 3/100th of a second, I decide to move away from this dude, out from under the bus stop shelter.
I do not need to consciously recognize that this is what I’ve learned to do. As a woman.
I do not apologize to him silently. As a feminist.
I do not explain my actions to myself. As a pragmatist.
I do not wonder about seeming impolite. As a realist.
Fuck the possibility of becoming unsettled.

The low-lying center of Bilbao is on the middle of the route. In an Ensanche still with Sunday emptiness, Louis Vuitton shop windows crystallize two bags on the crooks of two arms of two ladies standing in knee high grass 50 meters in front of a giraffe. Photoshopping that has nothing to do with image manipulation.

A beige-because-it’s-not-yet-pastel-season wearing double date of coiffed retirees say agreeable and conclusive things to each other on the corner in front of the Immigration office. This is the uncluttered neighborhood.

PlazaErrekaldi

Way back now,
sitting out the afternoon,
viaduct undercarriage
a flat brightness
accomplishments and
spots of thick paint
dissolved political parties,
one offering, “una vía nueva de la izquierda
a new way left.
I left around 17:20 and
found a new way around 18:45.

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3 thoughts on “Introducing a new segment… Being Brave Abroad

  1. Intuyo que detrás de esta disparatada traducción, que me ha servido Google, hay un texto importante: crítico, comprometido, que nos alerta desde la mirada transparente de la “viajera”.

    Like

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